The Most Definitive List of the BEST FILMS …so far

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There is no paucity of ‘Best Movies’ lists, and most would agree there is no need for another one. However, I offer the following list as a corrective if not definitive list of essential cinema. Most ‘best’ lists are marred by the number of critics and ‘experts’ polled, ranging from intelligent and erudite to shallow and trashy. Granted, the advantage of numbers is the leveling effect that tends to filter out the oddities and eccentricities of taste, often of a questionable nature. Poll enough people, and CITIZEN KANE will come out way on top over DEEP THROAT, which is actually on one of the personal lists in the Sight & Sight BFI poll. But then, the power of consensus tends toward a certain conventionality, which is why the Beatles album SGT. PEPPER’S LONELY HEARTS CLUB BAND became the designated ‘greatest album of all time’. Furthermore, as most polls require each critic or expert to list just ten titles, they further skew the list towards the most emblematic works. The reason why CITIZEN KANE and 2001: A SPACE ODYSSEY rank so much higher than the equally impressive MAGNIFICENT AMBERSONS and BARRY LYNDON is many people would rather list just one title per director and therefore choose the most famous work as tribute to the artist’s entire output. Then, it’s no wonder that 8½ usually ranks very high whereas WHITE SHEIK and I VITELLONI tend to rank far lower, if at all.
In contrast to multi-critic polls, there are individual lists ranging from those of professional critics/scholars to cinephiles to movie fans. A few critics devoted an entire book to their idea of what constitutes core cinema. Jonathan Rosenbaum’s ESSENTIAL CINEMA, Roger Ebert’s THE GREAT MOVIES, and David Thomson’s HAVE YOU SEEN…” especially come to mind. There are also books like 1001 MOVIES YOU MUST SEE BEFORE YOU DIE. If 1001 MOVIES is essentially just a fancier consumer guide, however useful it may be to novices, the problem with Rosenbaum’s book is the willful eccentricity and fetish for contrarianism whereas Roger Ebert’s book is all too predictable and conventional. Thomson’s sensibility lies somewhere in between, but his blend of sneering haughtiness and penchant for vulgarity often makes for questionable taste. He’s both one to name-drop Kenji Mizoguchi and Yasujiro Ozu as superiors to Akira Kurosawa — valid or not, a staple of critical snobbery, especially under French influence — all the while sticking his snout in the trough of P.T. Anderson’s MAGNOLIA and Quentin Tarantino’s PULP FICTION. In a way, one can understand why a critic like Rosenbaum wants to draw our attention to the relatively unsung but deserving figures of cinema, but he takes this to ludicrous extremes in his book. Worse, for ideological purposes, pseudo-intellectual conceits, or personal reasons, he goes out of his way to favor the likes of Chantal Akerman and Jerry Lewis. His book should have been called ‘Eccentric Cinema’ instead.

It’s been said that one’s likes and dislikes are a matter of taste, but one should be able to discern matters of taste from matters of judgement. We all know there are particular songs, books, and movies that we love regardless of artistic merit, just as there are works that, despite artistic merit, don’t particularly move us or even leave us cold. So, no one with sense should mistake a ‘best’ or ‘greatest’ list with one of personal ‘favorites’. I may enjoy MYSTIC PIZZA more than CITIZEN KANE but am not going to pretend it is a better or greater work.
Then, there’s the difference between ‘best’ and ‘greatest’, between quality/brilliance vs impact/importance. Some of the ‘greatest’ movies, such as GONE WITH THE WIND(which I still haven’t seen in its entirety), aren’t considered great works of art. And yet, their greatness can’t be denied in their entertainment value, mythology, social impact, and broad & lasting appeal. STAR WARS is another such movie, and its impact on the larger culture and its influence on cinematic magic & technology is incalculable. Indeed, many lesser works(by artistic criteria) have had far greater impact on society, history, and the industry. That said, even if some artistically impressive films have had little immediate impact on the culture-at-large, they’ve had far greater long-term effect, often of an indirect nature, than the far more popular and celebrated works of the time have. GANDHI was a far bigger cultural phenomenon than BLADE RUNNER, but whereas the former hardly altered the course of movie history, the latter pointed to new directions in science fiction, horror, and cinematic poetry. If one had to make a list of the 25 key movies in terms of their long-term influence on the art and ‘science’ of movies, they’d be:

The Birth of a Nation
Battleship Potemkin
The General
Metropolis
Sunrise
Passion of Joan of Arc
M
Alexander Nevsky
Citizen Kane
Rome: Open City
Los Olvidados
Rashomon
Diary of a Country Priest
Ugetsu
Seven Samurai
Hiroshima Mon Amour
Breathless & Jules and Jim
L’Avventura
A Fistful of Dollars
Andrei Rublev
2001: A Space Odyssey
The Wild Bunch
The Godfather
The Exorcist or Jaws
Star Wars
Yes, Madame
Terminator 2: Judgement Day
Saving Private Ryan
Mulholland Dr.

These are films that profoundly expanded one’s appreciation of cinema as an art-form or trail-blazed with new technical/stylistic devices. One is tempted to mention John Ford’s STAGECOACH, but as great a figure Ford is in the annals of cinema, it’s doubtful cinematic art and grammar would have been much different without him. Same goes for Ingmar Bergman, truly one of the great masters but ultimately less influential than figures like Carl Dreyer and Luis Bunuel who had a more purely cinematic grasp of the medium. Naturally, JAWS and STAR WARS had a wider impact than DIARY OF A COUNTRY PRIEST, but then, cinema, like most other arts, exist in separate universes. While most movie-goers stick with entertainment or Hollywood-style movie-movies, there will always be another cinema culture that, despite lack of mass appeal, will preserve what is deemed the best of personal cinema deep into the future. Despite the far smaller members and audience, the devotion and commitment of this community, in the long run, cannot be matched by the whims of the masses. This culture shouldn’t be confused with the cultist-mentality that draws together like-minded individuals with some eccentric, deviant, and/or esoteric involvement of ideas and emotions. Such cultist mentality can latch onto big productions, like STAR WARS and STAR TREK movies, or Midnight Movies like THE ROCKY HORROR PICTURE SHOW, which however may be rather passe in a wide culture that has embraced globo-homo-mania, tranny nuttery, loose sexuality, freakish displays of tattoos & piercings, women with green/purple hair, and various other kinds of the ‘New Normal’. In this day and age, what is so different about the freaks in that movie?

Then, there are movies that are great for their seemingly timeless appeal through the ages and around the world. Some of them have genuine artistic merit, others do not, but they possess a certain magical quality or magnetic allure that never seems to wane. A list of such movies may go as follows:

City Lights
Night at the Opera
The Wizard of Oz
Gone with the Wind
Casablanca
It’s a Wonderful Life
Bambi
Sunset Blvd.
High Noon
From Here to Eternity
Shane
A Star is Born (Judy Garland)
On the Waterfront
Singin’ in the Rain
North by Northwest
Ten Commandments
Ben-Hur
Psycho
West Side Story
Lawrence of Arabia
Breakfast at Tiffany’s
Dr. Strangelove
Goldfinger
The Sound of Music
Doctor Zhivago
The Good, the Bad, and the Ugly
The Graduate
Cool Hand Luke
The Planet of the Apes
Patton
Love Story
The French Connection
The Godfather
The Exorcist
Jaws
One Flew Over the Cuckoo’s Nest
Rocky
Star Wars
Close Encounters of the Third Kind
Halloween
Apocalypse Now
Raiders of the Lost Ark
E.T. the Extra-Terrestrial
Terms of Endearment
Platoon
Home Alone
Terminator 2
Groundhog Day
Silence of the Lambs
The Lion King
The Shawshank Redemption
Pulp Fiction
Toy Story
Titanic
The Sixth Sense
No Country for Old Men
The Dark Knight (Christopher Nolan)
The Wolf of Wall Street

Some movies are mega-hits upon release but fail to connect with later audiences, whereas others are only moderate hits(or even box-office misses) but gain traction over time and grow in stature among movie-lovers. (A work like THE BIG LEBOWSKI still remains in the Cult Category because it hasn’t caught on with the wide audience like THE SHAWSHANK REDEMPTION.) And then, there are movies like ON THE WATERFRONT that most people don’t watch but are still talked about and remembered because of Marlon Brando’s legendary performance and Elia Kazan’s powerful direction.

Now, if I had to list my favorites, they’d be something like this:

Midnight Cowboy
Mystic Pizza
Midnight Run
Glengarry Glen Ross
Blackcoat’s Daughter
The Wild Bunch
Pat Garrett & Billy the Kid
The Osterman Weekend
13th Warrior
Harold and Maude
To Live and Die in L.A.
The Shining
Lolita
Planes, Trains, and Automobiles
Risky Business
Wicker Park
L’Appartement
Twiilght: New Moon
Resident Evil: Extinction
The Graduate
Excalibur
Cool Hand Luke
Hey Babu Riba
Dita Saxova… among others.

https://mubi.com/lists/a-matter-of-personal-taste-the-favorites

As for the list below, it focuses on films with the greatest artistic merit. Now, what is meant by ‘art’? In the generic sense, any creative endeavor(even by children with crayons) can be defined as ‘art’, but the term here denotes creative pursuit at a much higher, deeper, or original level. Whatever art is, it requires talent, intelligence, curiosity, wit, brilliance, originality, vision, courage, search for truth, sublime intuitions, and/or some quality that stands apart and above the routine & ordinary. Also, there is art as endeavor and art as product. Given Ingmar Bergman’s seriousness, just about everything he attempted could be called an artistic endeavor. Still, if the product fails to live up to the standards of art, it is, at best, failed art. While few film-makers have exhibited nearly all the hallmarks of an artist — Stanley Kubrick for example — , most artists, even great ones, are noticeably more pronounced in certain facets of art while being deficient or uninterested in others. Woody Allen is a great wit, a man of verbal brilliance but was never a visionary. Andrei Tarkovsky had depth, but he couldn’t make a movie like MIDNIGHT RUN in a million years.
What is the highest quality of art? Perhaps the search for truth. Granted, no amount of investment in truth can make for art without talent and mastery. But what about brilliance in the service of the lie or nothing in particular? Plenty of TV commercials are done with virtuosity and even originality, but are they art? Too shallow for art. What about a work like BATTLESHIP POTEMKIN, which is utterly original and brilliant but a propaganda of historical falsehood? Can propaganda be art? Apparently yes, when the work is sufficiently bold, powerful, and imaginative to compensate for its deficiencies. Also, truths of a moral or psychological nature can be found in a historical lie. After all, the moral and spiritual lessons of Christianity would be valid even if the story were a myth. In MEET JOHN DOE, the Doe character is based on a lie but nevertheless stands for certain truths about decency, brotherliness, and understanding.

The list that follows is a general hierarchy. Needless to say, there is no such thing as the ‘best movie ever made’. The titles in the first quarter or third of the list are more approximate to merit whereas the later titles, especially in the last fourth, are only roughly ordered, and many could easily be re-arranged vis-a-vis other titles. Partly, it’s more interesting to appraise diamonds than pieces of iron, for which jeweler’s lens isn’t required. But also, there are far fewer very great works than pretty good movies, of which there are many many more than on the list.

https://mubi.com/lists/best-collection-of-core-cinema

SEVEN SAMURAI AKIRA KUROSAWA, 1954 SIBERIADE ANDREY KONCHALOVSKIY, 1979 ANDREI RUBLEV ANDREI TARKOVSKY, 1966 2001: A SPACE ODYSSEY STANLEY KUBRICK, 1968 CITIZEN KANE ORSON WELLES, 1941 VERTIGO ALFRED HITCHCOCK, 1958 IT’S A WONDERFUL LIFE FRANK CAPRA, 1946 GOODFELLAS MARTIN SCORSESE, 1990 THE GODFATHER FRANCIS FORD COPPOLA, 1972 THE GODFATHER: PART II FRANCIS FORD COPPOLA, 1974 IVAN THE TERRIBLE, PART I SERGEI EISENSTEIN, 1944 THE MAGNIFICENT AMBERSONS ORSON WELLES, 1942 BARRY LYNDON STANLEY KUBRICK, 1975 CHIMES AT MIDNIGHT ORSON WELLES, 1965 8½ FEDERICO FELLINI, 1963 TIME OF THE GYPSIES EMIR KUSTURICA, 1988 THE LEOPARD LUCHINO VISCONTI, 1963 A.I. ARTIFICIAL INTELLIGENCE STEVEN SPIELBERG, 2001 TOKYO STORY YASUJIRÔ OZU, 1953 THE WIZARD OF OZ VICTOR FLEMING, MERVYN LEROY, KING VIDOR, 1939 PLAYTIME JACQUES TATI, 1967 THE 47 RONIN KENJI MIZOGUCHI, 1941 MURIEL, OR THE TIME OF RETURN ALAIN RESNAIS, 1963 MULHOLLAND DRIVE DAVID LYNCH, 2001 UGETSU KENJI MIZOGUCHI, 1953 STALKER ANDREI TARKOVSKY, 1979 MARKETA LAZAROVÁ FRANTIŠEK VLÁCIL, 1967 M FRITZ LANG, 1931 VAMPYR CARL THEODOR DREYER, 1932 LA JETÉE CHRIS MARKER, 1962 AU HASARD BALTHAZAR ROBERT BRESSON, 1966 THE THIRD MAN CAROL REED, 1949 THE APARTMENT GILLES MIMOUNI, 1996 OCTOBER (TEN DAYS THAT SHOOK THE WORLD) SERGEI EISENSTEIN, GRIGORI ALEKSANDROV, 1927 HARAKIRI MASAKI KOBAYASHI, 1962 THE COLOR OF POMEGRANATES SERGEI PARAJANOV, 1969 THE FACE OF ANOTHER HIROSHI TESHIGAHARA, 1966 FAUST F.W. MURNAU, 1926 THE BIG TRAIL RAOUL WALSH, LOUIS R. LOEFFLER, 1930 SUNRISE: A SONG OF TWO HUMANS F.W. MURNAU, 1927 THE EMIGRANTS JAN TROELL, 1971 THE NEW LAND JAN TROELL, 1972 THE TESTAMENT OF DR. MABUSE FRITZ LANG, 1933 THE LADY FROM SHANGHAI ORSON WELLES, 1947 THE STORY OF THE LAST CHRYSANTHEMUMS KENJI MIZOGUCHI, 1939 TOUCH OF EVIL ORSON WELLES, 1958 DIARY OF A COUNTRY PRIEST ROBERT BRESSON, 1951 PERSONA INGMAR BERGMAN, 1966 ERASERHEAD DAVID LYNCH, 1977 JULES AND JIM FRANÇOIS TRUFFAUT, 1962 L’ATALANTE JEAN VIGO, 1934 LOS OLVIDADOS LUIS BUÑUEL, 1950 HERE’S YOUR LIFE JAN TROELL, 1966 PROFOUND DESIRES OF THE GODS SHÔHEI IMAMURA, 1968 THE WAGES OF FEAR HENRI-GEORGES CLOUZOT, 1953 DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB STANLEY KUBRICK, 1964 THE WILD BUNCH SAM PECKINPAH, 1969 MIDNIGHT COWBOY JOHN SCHLESINGER, 1969 REAR WINDOW ALFRED HITCHCOCK, 1954 ONCE UPON A TIME IN THE WEST SERGIO LEONE, 1968 LAWRENCE OF ARABIA DAVID LEAN, 1962 THE MANCHURIAN CANDIDATE JOHN FRANKENHEIMER, 1962 ARMY OF SHADOWS JEAN-PIERRE MELVILLE, 1969 SINGIN’ IN THE RAIN STANLEY DONEN, GENE KELLY, 1952 THE LAST COMMAND JOSEF VON STERNBERG, 1928 THE GOOD, THE BAD AND THE UGLY SERGIO LEONE, 1966 EXCALIBUR JOHN BOORMAN, 1981 WOMAN IN THE DUNES HIROSHI TESHIGAHARA, 1964 THE BATTLE OF ALGIERS GILLO PONTECORVO, 1966 I VITELLONI FEDERICO FELLINI, 1953 IN COLD BLOOD RICHARD BROOKS, 1967 THE RED AND THE WHITE MIKLÓS JANCSÓ, 1967 CHINATOWN ROMAN POLANSKI, 1974 THE MAKIOKA SISTERS KON ICHIKAWA, 1983 THE SHINING STANLEY KUBRICK, 1980 THE PASSION OF JOAN OF ARC CARL THEODOR DREYER, 1928 FANTASIA JAMES ALGAR, SAMUEL ARMSTRONG, FORD BEEBE, NORMAN FERGUSON, JIM HANDLEY, T. HEE, WILFRED JACKSON, HAMILTON LUSKE, BILL ROBERTS, PAUL SATTERFIELD, BEN SHARPSTEEN, 1940 PHANTOM INDIA LOUIS MALLE, 1969 CASTLE IN THE SKY HAYAO MIYAZAKI, 1986 ONCE UPON A TIME IN AMERICA SERGIO LEONE, 1984 GREED ERICH VON STROHEIM, 1924 DAY OF WRATH CARL THEODOR DREYER, 1943 DIE NIBELUNGEN: SIEGFRIED FRITZ LANG, 1924 DIE NIBELUNGEN: KRIEMHILD’S REVENGE FRITZ LANG, 1924 VENGEANCE IS MINE SHÔHEI IMAMURA, 1979 HIROSHIMA MON AMOUR ALAIN RESNAIS, 1959 L’AVVENTURA MICHELANGELO ANTONIONI, 1960 SANSHO THE BAILIFF KENJI MIZOGUCHI, 1954 BLADE RUNNER RIDLEY SCOTT, 1982 LOLITA STANLEY KUBRICK, 1962 TIME REGAINED RAÚL RUIZ, 1999 EYES WIDE SHUT STANLEY KUBRICK, 1999 BATTLESHIP POTEMKIN SERGEI EISENSTEIN, 1925 ALEXANDER NEVSKY SERGEI EISENSTEIN, 1938 ORDET CARL THEODOR DREYER, 1955 SHADOWS OF FORGOTTEN ANCESTORS SERGEI PARAJANOV, 1964 THE FLIGHT OF THE EAGLE JAN TROELL, 1982 THE SEARCHERS JOHN FORD, 1956 HOMICIDE DAVID MAMET, 1991 THE EARRINGS OF MADAME DE… MAX OPHÜLS, 1953 L’ECLISSE MICHELANGELO ANTONIONI, 1962 PIGS AND BATTLESHIPS SHÔHEI IMAMURA, 1961 BUBBLEGUM CRISIS: HURRICANE LIVE! 2000 CASINO MARTIN SCORSESE, 1995 MIRACLE IN MILAN VITTORIO DE SICA, 1951 THE DRAUGHTSMAN’S CONTRACT PETER GREENAWAY, 1982 THE FALL OF OTRAR ARDAK AMIRKULOV, 1991 THE WANDERERS PHILIP KAUFMAN, 1979 THE BIG COUNTRY WILLIAM WYLER, 1958 THE RED SHOES MICHAEL POWELL, EMERIC PRESSBURGER, 1948 WERCKMEISTER HARMONIES BÉLA TARR, ÁGNES HRANITZKY, 2000 SHERLOCK JR. BUSTER KEATON, 1924 WHEN FATHER WAS AWAY ON BUSINESS EMIR KUSTURICA, 1985 IKIRU AKIRA KUROSAWA, 1952 A MAN ESCAPED ROBERT BRESSON, 1956 MOTHER! DARREN ARONOFSKY, 2017 COOL HAND LUKE STUART ROSENBERG, 1967 DAYS OF HEAVEN TERRENCE MALICK, 1978 HIGH AND LOW AKIRA KUROSAWA, 1963 THE BALLAD OF NARAYAMA SHÔHEI IMAMURA, 1983 KAGEMUSHA AKIRA KUROSAWA, 1980 DIABOLIQUE HENRI-GEORGES CLOUZOT, 1955 RAGING BULL MARTIN SCORSESE, 1980 THE GOLD RUSH CHARLIE CHAPLIN, 1925 EARTH ALEKSANDR DOVZHENKO, 1930 STORM OVER ASIA VSEVOLOD PUDOVKIN, 1928 PATHS OF GLORY STANLEY KUBRICK, 1957 THE RULES OF THE GAME JEAN RENOIR, 1939 CITY LIGHTS CHARLIE CHAPLIN, 1931 NAPOLÉON ABEL GANCE, 1927 THE CABINET OF DR. CALIGARI ROBERT WIENE, 1920 ELECTRA, MY LOVE MIKLÓS JANCSÓ, 1974 LIMELIGHT CHARLIE CHAPLIN, 1952 MOUCHETTE ROBERT BRESSON, 1967 ALPHAVILLE JEAN-LUC GODARD, 1965 THE 400 BLOWS FRANÇOIS TRUFFAUT, 1959 FOOLISH WIVES ERICH VON STROHEIM, 1922 NOSFERATU F.W. MURNAU, 1922 THE HUMAN CONDITION I: NO GREATER LOVE MASAKI KOBAYASHI, 1959 THE HUMAN CONDITION II: ROAD TO ETERNITY MASAKI KOBAYASHI, 1959 THE HUMAN CONDITION III: A SOLDIER’S PRAYER MASAKI KOBAYASHI, 1961 YOJIMBO AKIRA KUROSAWA, 1961 THE GENERAL BUSTER KEATON, CLYDE BRUCKMAN, 1926 A CLOCKWORK ORANGE STANLEY KUBRICK, 1971 THE ROUND-UP MIKLÓS JANCSÓ, 1966 FULL METAL JACKET STANLEY KUBRICK, 1987 SAWDUST AND TINSEL INGMAR BERGMAN, 1953 BIGGER THAN LIFE NICHOLAS RAY, 1956 THE BLUE ANGEL JOSEF VON STERNBERG, 1930 RAN AKIRA KUROSAWA, 1985 SILENCE MARTIN SCORSESE, 2016 THE KILLING STANLEY KUBRICK, 1956 STRANGERS ON A TRAIN ALFRED HITCHCOCK, 1951 THE WHITE SHEIK FEDERICO FELLINI, 1952 DUCK SOUP LEO MCCAREY, 1933 CARLITO’S WAY BRIAN DE PALMA, 1993 TWENTY-FOUR EYES KEISUKE KINOSHITA, 1954 MAN OF MARBLE ANDRZEJ WAJDA, 1977 DOCTOR ZHIVAGO DAVID LEAN, 1965 SECRET DEFENSE JACQUES RIVETTE, 1998 THE GREAT DICTATOR CHARLIE CHAPLIN, 1940 ONE FLEW OVER THE CUCKOO’S NEST MILOŠ FORMAN, 1975 SEVEN BEAUTIES LINA WERTMÜLLER, 1975 HOUSE OF GAMES DAVID MAMET, 1987 THE LAST LAUGH F.W. MURNAU, 1924 THE LONG DAY CLOSES TERENCE DAVIES, 1992 SOMETHING WILD JONATHAN DEMME, 1986 INVESTIGATION OF A CITIZEN ABOVE SUSPICION ELIO PETRI, 1970 RED BEARD AKIRA KUROSAWA, 1965 HAROLD AND MAUDE HAL ASHBY, 1971 DAZED AND CONFUSED RICHARD LINKLATER, 1993 THRONE OF BLOOD AKIRA KUROSAWA, 1957 FOR A FEW DOLLARS MORE SERGIO LEONE, 1965 STILL WALKING HIROKAZU KORE-EDA, 2008 THE BEST INTENTIONS BILLE AUGUST, 1992 MOTHER VSEVOLOD PUDOVKIN, 1926 GRAND ILLUSION JEAN RENOIR, 1937 GENERAL DELLA ROVERE ROBERTO ROSSELLINI, 1959 THE LIFE AND DEATH OF COLONEL BLIMP MICHAEL POWELL, EMERIC PRESSBURGER, 1943 THE LIFE OF OHARU KENJI MIZOGUCHI, 1952 RED RIVER HOWARD HAWKS, ARTHUR ROSSON, 1948 DOG’S DIALOGUE RAÚL RUIZ, 1977 FLOATING WEEDS YASUJIRÔ OZU, 1959 CHILDREN OF PARADISE MARCEL CARNÉ, 1945 MODERN TIMES CHARLIE CHAPLIN, 1936 THE BAD SLEEP WELL AKIRA KUROSAWA, 1960 THE WHEEL ABEL GANCE, 1923 DAS BOOT WOLFGANG PETERSEN, 1981 THE GRADUATE MIKE NICHOLS, 1967 EQUINOX FLOWER YASUJIRÔ OZU, 1958 RASHÔMON AKIRA KUROSAWA, 1950 AMÉLIE JEAN-PIERRE JEUNET, 2001 MCCABE & MRS. MILLER ROBERT ALTMAN, 1971 HIGH NOON FRED ZINNEMANN, 1952 TAXI DRIVER MARTIN SCORSESE, 1976 THE LAST DETAIL HAL ASHBY, 1973 DEATH IN THE GARDEN LUIS BUÑUEL, 1956 THE FOSSIL MASAKI KOBAYASHI, 1974 EL CID ANTHONY MANN, 1961 APOCALYPSE NOW FRANCIS FORD COPPOLA, 1979 MIDNIGHT RUN MARTIN BREST, 1988 LA TERRA TREMA LUCHINO VISCONTI, 1948 THE ASCENT LARISA SHEPITKO, 1977 NAZARIN LUIS BUÑUEL, 1959 SAFETY LAST! FRED C. NEWMEYER, SAM TAYLOR, 1923 NANOOK OF THE NORTH ROBERT J. FLAHERTY, 1922 BICYCLE THIEVES VITTORIO DE SICA, 1948 JOHNNY GUITAR NICHOLAS RAY, 1954 THE EXTERMINATING ANGEL LUIS BUÑUEL, 1962 ROSEMARY’S BABY ROMAN POLANSKI, 1968 AN AUTUMN AFTERNOON YASUJIRÔ OZU, 1962 VIRIDIANA LUIS BUÑUEL, 1961 A NIGHT AT THE OPERA SAM WOOD, 1935 NOTORIOUS ALFRED HITCHCOCK, 1946 DISTANT VOICES, STILL LIVES TERENCE DAVIES, 1988 LAURA OTTO PREMINGER, 1944 EARLY SUMMER YASUJIRÔ OZU, 1951 DIARY OF A LOST GIRL G.W. PABST, 1929 TAIRA CLAN SAGA KENJI MIZOGUCHI, 1955 KWAIDAN MASAKI KOBAYASHI, 1964 HEAVEN CAN WAIT ERNST LUBITSCH, 1943 THE TENANT ROMAN POLANSKI, 1976 TOKYO TWILIGHT YASUJIRÔ OZU, 1957 TROUBLE IN PARADISE ERNST LUBITSCH, 1932 EARLY SPRING YASUJIRÔ OZU, 1956 MACBETH ROMAN POLANSKI, 1971 LANCELOT DU LAC ROBERT BRESSON, 1974 MONSIEUR VERDOUX CHARLIE CHAPLIN, 1947 THE JUDGE AND THE ASSASSIN BERTRAND TAVERNIER, 1976 A SUNDAY IN THE COUNTRY BERTRAND TAVERNIER, 1984 LIFE AND NOTHING BUT BERTRAND TAVERNIER, 1989 THE AFRICAN QUEEN JOHN HUSTON, 1951 L’ARGENT ROBERT BRESSON, 1983 A BRIGHTER SUMMER DAY EDWARD YANG, 1991 THE CRUCIFIED LOVERS KENJI MIZOGUCHI, 1954 FORBIDDEN GAMES RENÉ CLÉMENT, 1952 IT HAPPENED ONE NIGHT FRANK CAPRA, 1934 LATE SPRING YASUJIRÔ OZU, 1949 EXISTENZ DAVID CRONENBERG, 1999 CLOSE ENCOUNTERS OF THE THIRD KIND STEVEN SPIELBERG, 1977 COMRADESHIP G.W. PABST, 1931 THE HIDDEN FORTRESS AKIRA KUROSAWA, 1958 SANS SOLEIL CHRIS MARKER, 1983 UNKNOWN SOLDIER AKU LOUHIMIES, 2017 ROME, OPEN CITY ROBERTO ROSSELLINI, 1945 TO LIVE AND DIE IN L.A. WILLIAM FRIEDKIN, 1985 MAN OF ARAN ROBERT J. FLAHERTY, 1934 THE BIRDS ALFRED HITCHCOCK, 1963 TOPSY-TURVY MIKE LEIGH, 1999 INTENTIONS OF MURDER SHÔHEI IMAMURA, 1964 SHANE GEORGE STEVENS, 1953 MERRY CHRISTMAS, MR. LAWRENCE NAGISA ÔSHIMA, 1983 THE QUIET MAN JOHN FORD, 1952 EXOTICA ATOM EGOYAN, 1994 KNIFE IN THE WATER ROMAN POLANSKI, 1962 LE DEUXIÈME SOUFFLE JEAN-PIERRE MELVILLE, 1966 FIRES ON THE PLAIN KON ICHIKAWA, 1959 UN CHIEN ANDALOU LUIS BUÑUEL, 1929 KAPÒ GILLO PONTECORVO, 1960 UNDERWORLD JOSEF VON STERNBERG, 1927 THE SEVENTH SEAL INGMAR BERGMAN, 1957 UMBERTO D. VITTORIO DE SICA, 1952 FOREIGN CORRESPONDENT ALFRED HITCHCOCK, 1940 SIMON OF THE DESERT LUIS BUÑUEL, 1965 THE RIVER JEAN RENOIR, 1951 MY DARLING CLEMENTINE JOHN FORD, 1946 DOUBLE INDEMNITY BILLY WILDER, 1944 ARSENAL ALEKSANDR DOVZHENKO, 1929 O BROTHER, WHERE ART THOU? JOEL COEN, ETHAN COEN, 2000 THE ORGANIZER MARIO MONICELLI, 1963 MEET ME IN ST. LOUIS VINCENTE MINNELLI, 1944 TESS ROMAN POLANSKI, 1979 THE MAN WHO SHOT LIBERTY VALANCE JOHN FORD, 1962 GOOD MORNING YASUJIRÔ OZU, 1959 UNDERGROUND EMIR KUSTURICA, 1995 JURASSIC PARK STEVEN SPIELBERG, 1993 OUTCAST OF THE ISLANDS CAROL REED, 1952 MEAN STREETS MARTIN SCORSESE, 1973 DIARY OF A CHAMBERMAID LUIS BUÑUEL, 1964 HUSBANDS JOHN CASSAVETES, 1970 AGUIRRE, THE WRATH OF GOD WERNER HERZOG, 1972 SHADOW OF A DOUBT ALFRED HITCHCOCK, 1943 FAITHLESS LIV ULLMANN, 2000 ZERO FOR CONDUCT JEAN VIGO, 1933 BLACK NARCISSUS MICHAEL POWELL, EMERIC PRESSBURGER, 1947 MAN WITH A MOVIE CAMERA DZIGA VERTOV, 1929 THE BIRTH OF A NATION D.W. GRIFFITH, 1915 PROVIDENCE ALAIN RESNAIS, 1977 HAMSUN JAN TROELL, 1996 INTOLERANCE D.W. GRIFFITH, 1916 RAIDERS OF THE LOST ARK STEVEN SPIELBERG, 1981 THE BRIDGE ON THE RIVER KWAI DAVID LEAN, 1957 THE TREASURE OF THE SIERRA MADRE JOHN HUSTON, 1948 KIND HEARTS AND CORONETS ROBERT HAMER, 1949 ÉL LUIS BUÑUEL, 1953 PATHER PANCHALI SATYAJIT RAY, 1955 APARAJITO SATYAJIT RAY, 1956 THE WORLD OF APU SATYAJIT RAY, 1959 MILDRED PIERCE MICHAEL CURTIZ, 1945 JOURNEY TO ITALY ROBERTO ROSSELLINI, 1954 VIVA ZAPATA! ELIA KAZAN, 1952 MÉNILMONTANT DIMITRI KIRSANOFF, 1926 VIDEODROME DAVID CRONENBERG, 1983 HOW GREEN WAS MY VALLEY JOHN FORD, 1941 MEET JOHN DOE FRANK CAPRA, 1941 THE SERVANT JOSEPH LOSEY, 1963 LA STRADA FEDERICO FELLINI, 1954 IL POSTO ERMANNO OLMI, 1961 PAISAN ROBERTO ROSSELLINI, 1946 GREAT EXPECTATIONS DAVID LEAN, 1946 HAIL, CAESAR! ETHAN COEN, JOEL COEN, 2016 THE LADY VANISHES ALFRED HITCHCOCK, 1938 VALLEY OF THE BEES FRANTIŠEK VLÁCIL, 1967 INSOMNIA CHRISTOPHER NOLAN, 2002 LAST YEAR AT MARIENBAD ALAIN RESNAIS, 1961 PSYCHO ALFRED HITCHCOCK, 1960 CASABLANCA MICHAEL CURTIZ, 1942 ATLANTIC CITY LOUIS MALLE, 1980 LE SAMOURAÏ JEAN-PIERRE MELVILLE, 1967 MEMORIES OF MURDER BONG JOON-HO, 2003 THE AGE OF INNOCENCE MARTIN SCORSESE, 1993 METROPOLIS FRITZ LANG, 1927 BREATHLESS JEAN-LUC GODARD, 1960 LES COUSINS CLAUDE CHABROL, 1959 NIGHT AND FOG ALAIN RESNAIS, 1956 MASCULIN FÉMININ JEAN-LUC GODARD, 1966 TWO MEN AND A WARDROBE ROMAN POLANSKI, 1958 NORTH BY NORTHWEST ALFRED HITCHCOCK, 1959 THE DEVIL’S ENVOYS MARCEL CARNÉ, 1942 ONLY ANGELS HAVE WINGS HOWARD HAWKS, 1939 THROUGH A GLASS DARKLY INGMAR BERGMAN, 1961 SHAME INGMAR BERGMAN, 1968 SOLARIS ANDREI TARKOVSKY, 1972 STRAW DOGS SAM PECKINPAH, 1971 LAST TANGO IN PARIS BERNARDO BERTOLUCCI, 1972 THE BEST YEARS OF OUR LIVES WILLIAM WYLER, 1946 BREAKFAST AT TIFFANY’S BLAKE EDWARDS, 1961 GHOST WORLD TERRY ZWIGOFF, 2001 ZIGEUNERWEISEN SEIJUN SUZUKI, 1980 HEAT SHIMMER THEATRE SEIJUN SUZUKI, 1981 YUMEJI SEIJUN SUZUKI, 1991 L’ÂGE D’OR LUIS BUÑUEL, 1930 WINTER LIGHT INGMAR BERGMAN, 1963 A FUGITIVE FROM THE PAST TOMU UCHIDA, 1965 LE SILENCE DE LA MER JEAN-PIERRE MELVILLE, 1949 UNDER CAPRICORN ALFRED HITCHCOCK, 1949 LULLABY OF THE EARTH YASUZÔ MASUMURA, 1976 SMILES OF A SUMMER NIGHT INGMAR BERGMAN, 1955 WHEN A WOMAN ASCENDS THE STAIRS MIKIO NARUSE, 1960 HIGH FIDELITY STEPHEN FREARS, 2000 PICKPOCKET ROBERT BRESSON, 1959 BRINGING UP BABY HOWARD HAWKS, 1938 THE DEVIL, PROBABLY ROBERT BRESSON, 1977 THE HUNT THOMAS VINTERBERG, 2012 THE GOSPEL ACCORDING TO ST. MATTHEW PIER PAOLO PASOLINI, 1964 PRINCE OF THE CITY SIDNEY LUMET, 1981 DELIVERANCE JOHN BOORMAN, 1972 BLOW-UP MICHELANGELO ANTONIONI, 1966 THE NUN JACQUES RIVETTE, 1966 THE GOLDEN COACH JEAN RENOIR, 1952 PITFALL HIROSHI TESHIGAHARA, 1962 SUNSET BLVD. BILLY WILDER, 1950 BLACK CAT, WHITE CAT EMIR KUSTURICA, 1998 BOB LE FLAMBEUR JEAN-PIERRE MELVILLE, 1956 TWIN PEAKS: THE RETURN DAVID LYNCH, 2017 TRON: LEGACY JOSEPH KOSINSKI, 2010 PRIVATE CONFESSIONS LIV ULLMANN, 1996 UNBREAKABLE M. NIGHT SHYAMALAN, 2000 TRIUMPH OF THE WILL LENI RIEFENSTAHL, 1935 RIDE THE HIGH COUNTRY SAM PECKINPAH, 1962 EMPIRE OF THE SUN STEVEN SPIELBERG, 1987 OLYMPIA PART ONE: FESTIVAL OF THE NATIONS LENI RIEFENSTAHL, 1938 EROS PLUS MASSACRE YOSHISHIGE YOSHIDA, 1969 BELLE DE JOUR LUIS BUÑUEL, 1967 THE SACRIFICE ANDREI TARKOVSKY, 1986 THE MALTESE FALCON JOHN HUSTON, 1941 DEAD RINGERS DAVID CRONENBERG, 1988 SENSO LUCHINO VISCONTI, 1954 RESERVOIR DOGS QUENTIN TARANTINO, 1992 DEAD OF NIGHT ALBERTO CAVALCANTI, CHARLES CRICHTON, BASIL DEARDEN, ROBERT HAMER, 1945 SUNSHINE ISTVÁN SZABÓ, 1999 SAVING PRIVATE RYAN STEVEN SPIELBERG, 1998 THE ROARING TWENTIES RAOUL WALSH, 1939 I LIVE IN FEAR AKIRA KUROSAWA, 1955 BAND OF OUTSIDERS JEAN-LUC GODARD, 1964 THE WAR IS OVER ALAIN RESNAIS, 1966 THE MIRROR ANDREI TARKOVSKY, 1975 THAT OBSCURE OBJECT OF DESIRE LUIS BUÑUEL, 1977 PARIS BELONGS TO US JACQUES RIVETTE, 1961 CLEAN, SHAVEN LODGE KERRIGAN, 1993 REPULSION ROMAN POLANSKI, 1965 PINOCCHIO BEN SHARPSTEEN, NORMAN FERGUSON, T. HEE, WILFRED JACKSON, JACK KINNEY, HAMILTON LUSKE, BILL ROBERTS, 1940 FANNY AND ALEXANDER (THEATRICAL VERSION) INGMAR BERGMAN, 1982 COLONEL REDL ISTVÁN SZABÓ, 1985 THE WORLD’S END EDGAR WRIGHT, 2013 LA NOTTE MICHELANGELO ANTONIONI, 1961 THE INSECT WOMAN SHÔHEI IMAMURA, 1963 LA CHIENNE JEAN RENOIR, 1931 MOONLIGHTING JERZY SKOLIMOWSKI, 1982 BAMBI DAVID HAND, JAMES ALGAR, SAMUEL ARMSTRONG, GRAHAM HEID, BILL ROBERTS, PAUL SATTERFIELD, NORMAN WRIGHT, 1942 INTO THE WILD SEAN PENN, 2007 ODD OBSESSION KON ICHIKAWA, 1959 THEY LIVE BY NIGHT NICHOLAS RAY, 1948 SUNSET SONG TERENCE DAVIES, 2015 THREE COLORS: RED KRZYSZTOF KIESLOWSKI, 1994 THE UMBRELLAS OF CHERBOURG JACQUES DEMY, 1964 THE BLACKCOAT’S DAUGHTER OZ PERKINS, 2015 THE YEAR OF LIVING DANGEROUSLY PETER WEIR, 1982 THE TALENTED MR. RIPLEY ANTHONY MINGHELLA, 1999 THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD ANDREW DOMINIK, 2007 CURE KIYOSHI KUROSAWA, 1997 RISKY BUSINESS PAUL BRICKMAN, 1983 A SERIOUS MAN JOEL COEN, ETHAN COEN, 2009 THE DECALOGUE KRZYSZTOF KIESLOWSKI, 1989 MANHATTAN MURDER MYSTERY WOODY ALLEN, 1993 MAJOR DUNDEE SAM PECKINPAH, 1965 THE TURIN HORSE BÉLA TARR, ÁGNES HRANITZKY, 2011 DOG DAY AFTERNOON SIDNEY LUMET, 1975 FARGO JOEL COEN, ETHAN COEN, 1996 THE MILLENNIAL BEE JURAJ JAKUBISKO, 1983 PAT GARRETT AND BILLY THE KID SAM PECKINPAH, 1973 SPELLBOUND ALFRED HITCHCOCK, 1945 MINORITY REPORT STEVEN SPIELBERG, 2002 ACCATTONE PIER PAOLO PASOLINI, 1961 THE MAGICIAN INGMAR BERGMAN, 1958 A WOMAN’S FACE GEORGE CUKOR, 1941 CRIMES AND MISDEMEANORS WOODY ALLEN, 1989 TOKYO OLYMPIAD KON ICHIKAWA, 1965 THE BALLAD OF CABLE HOGUE SAM PECKINPAH, 1970 SAMURAI REBELLION MASAKI KOBAYASHI, 1967 MY BEAUTIFUL LAUNDRETTE STEPHEN FREARS, 1985 HUNGER HENNING CARLSEN, 1966 SUMMER WITH MONIKA INGMAR BERGMAN, 1953 NIXON OLIVER STONE, 1995 PURPLE NOON RENÉ CLÉMENT, 1960 STALAG 17 BILLY WILDER, 1953 THE PARALLAX VIEW ALAN J. PAKULA, 1974 BODY SNATCHERS ABEL FERRARA, 1993 AN UNFORGETTABLE SUMMER LUCIAN PINTILIE, 1994 TROPICAL MALADY APICHATPONG WEERASETHAKUL, 2004 GERTRUD CARL THEODOR DREYER, 1964 OTHELLO ORSON WELLES, 1951 MARNIE ALFRED HITCHCOCK, 1964 SANJURO AKIRA KUROSAWA, 1962 POETRY LEE CHANG-DONG, 2010 TABOO NAGISA ÔSHIMA, 1999 THE BLUE KITE TIAN ZHUANGZHUANG, 1993 THE KILLING FIELDS ROLAND JOFFÉ, 1984 SERGEANT YORK HOWARD HAWKS, 1941 STROMBOLI ROBERTO ROSSELLINI, 1950 CAPITAINE CONAN BERTRAND TAVERNIER, 1996 THE IMMORTAL STORY ORSON WELLES, 1968 BADLANDS TERRENCE MALICK, 1973 MY UNCLE FROM AMERICA ALAIN RESNAIS, 1980 CLOSELY WATCHED TRAINS JIRÍ MENZEL, 1966 TOMORROWLAND BRAD BIRD, 2015 DIAMONDS OF THE NIGHT JAN NEMEC, 1964 LE COMBAT DANS L’ÎLE ALAIN CAVALIER, 1962 NIGHTS OF CABIRIA FEDERICO FELLINI, 1957 THE BIG LEBOWSKI JOEL COEN, ETHAN COEN, 1998 SUMMER INTERLUDE INGMAR BERGMAN, 1951 LETTER NEVER SENT MIKHAIL KALATOZOV, 1960 AN ACTOR’S REVENGE KON ICHIKAWA, 1963 THE HELLSTROM CHRONICLE WALON GREEN, ED SPIEGEL, 1971 A GENTLE WOMAN ROBERT BRESSON, 1969 THE CHANT OF JIMMIE BLACKSMITH FRED SCHEPISI, THOMAS KENEALLY, 1978 DR. AKAGI SHÔHEI IMAMURA, 1998 ALL THE KING’S MEN ROBERT ROSSEN, 1949 THE CONFORMIST BERNARDO BERTOLUCCI, 1970 GATE OF HELL TEINOSUKE KINUGASA, 1953 REBECCA ALFRED HITCHCOCK, 1940 DERSU UZALA AKIRA KUROSAWA, 1975 RAISE THE RED LANTERN ZHANG YIMOU, 1991 AMERICA, AMERICA ELIA KAZAN, 1963 SCARLET STREET FRITZ LANG, 1945 THE WILD CHILD FRANÇOIS TRUFFAUT, 1970 THE THING JOHN CARPENTER, 1982 DUCK, YOU SUCKER SERGIO LEONE, 1971 THE FALLEN IDOL CAROL REED, 1948 ANT-MAN PEYTON REED, 2015 THE GREAT ESCAPE JOHN STURGES, 1963 CHINA IS NEAR MARCO BELLOCCHIO, 1967 THE DISCREET CHARM OF THE BOURGEOISIE LUIS BUÑUEL, 1972 THE SOFT SKIN FRANÇOIS TRUFFAUT, 1964 MISSISSIPPI MERMAID FRANÇOIS TRUFFAUT, 1969 MON ONCLE JACQUES TATI, 1958 THE FIANCES ERMANNO OLMI, 1963 THE YOUNG GIRLS OF ROCHEFORT JACQUES DEMY, 1967 LOLA MONTÈS MAX OPHÜLS, 1955 NOSTALGHIA ANDREI TARKOVSKY, 1983 THE SILENCE INGMAR BERGMAN, 1963 SCANDAL AKIRA KUROSAWA, 1950 DINER BARRY LEVINSON, 1982 THE RUINED MAP HIROSHI TESHIGAHARA, 1968 THE TREE OF WOODEN CLOGS ERMANNO OLMI, 1978 TRISTANA LUIS BUÑUEL, 1970 HIS GIRL FRIDAY HOWARD HAWKS, 1940 DAMSELS IN DISTRESS WHIT STILLMAN, 2011 LE NOTTI BIANCHE LUCHINO VISCONTI, 1957 FROM HERE TO ETERNITY FRED ZINNEMANN, 1953 THE MOTHMAN PROPHECIES MARK PELLINGTON, 2002 THE 13TH WARRIOR JOHN MCTIERNAN, MICHAEL CRICHTON, 1999 THX 1138 GEORGE LUCAS, 1971 THE LADY AND THE DUKE ÉRIC ROHMER, 2001 TWO ENGLISH GIRLS FRANÇOIS TRUFFAUT, 1971 ZABRISKIE POINT MICHELANGELO ANTONIONI, 1970 CUTTER’S WAY IVAN PASSER, 1981 ASH IS PUREST WHITE JIA ZHANGKE, 2018 YOU ONLY LIVE ONCE FRITZ LANG, 1937 THE MAN WHO KNEW TOO MUCH ALFRED HITCHCOCK, 1956 BEING JOHN MALKOVICH SPIKE JONZE, 1999 THE HORSE THIEF TIAN ZHUANGZHUANG, PAN PEICHENG, 1986 INVASION OF THE BODY SNATCHERS PHILIP KAUFMAN, 1978 KATYN ANDRZEJ WAJDA, 2007 FRENCH CANCAN JEAN RENOIR, 1955 THE TAKING OF POWER BY LOUIS XIV ROBERTO ROSSELLINI, 1966 FAHRENHEIT 451 FRANÇOIS TRUFFAUT, 1966 MOUNTAINS OF THE MOON BOB RAFELSON, 1990 CHALK ROB NILSSON, 1996 HAWAII GEORGE ROY HILL, 1966 NASHVILLE ROBERT ALTMAN, 1975 THE TRIAL ORSON WELLES, 1962 EYES WITHOUT A FACE GEORGES FRANJU, 1960 ETERNAL SUNSHINE OF THE SPOTLESS MIND MICHEL GONDRY, 2004 GILDA CHARLES VIDOR, 1946 MACBETH ORSON WELLES, 1948 WAKE IN FRIGHT TED KOTCHEFF, 1971 F FOR FAKE ORSON WELLES, 1973 DR. MABUSE: THE GAMBLER FRITZ LANG, 1922 DUNKIRK CHRISTOPHER NOLAN, 2017 CRIMSON GOLD JAFAR PANAHI, 2003 MISS OYU KENJI MIZOGUCHI, 1951 FIGHTING ELEGY SEIJUN SUZUKI, 1966 BLACK BOOK PAUL VERHOEVEN, 2006 STREET OF SHAME KENJI MIZOGUCHI, 1956 RED ANGEL YASUZÔ MASUMURA, 1966 BRANDED TO KILL SEIJUN SUZUKI, 1967 ELENA AND HER MEN JEAN RENOIR, 1956 C.R.A.Z.Y. JEAN-MARC VALLÉE, 2005 THE BUTCHER CLAUDE CHABROL, 1970 PATTON FRANKLIN J. SCHAFFNER, 1970 THE MIRACLE WORKER ARTHUR PENN, 1962 THE NAKED SPUR ANTHONY MANN, 1953 THE RIGHT STUFF PHILIP KAUFMAN, 1983 MR. ARKADIN ORSON WELLES, 1955 ETERNAL ENEMIES: LIONS AND HYENAS DERECK JOUBERT, 2006 TO HAVE AND HAVE NOT HOWARD HAWKS, 1944 DEVIL IN THE FLESH CLAUDE AUTANT-LARA, 1947 THE STRANGER ORSON WELLES, 1946 INCEPTION CHRISTOPHER NOLAN, 2010 WUTHERING HEIGHTS LUIS BUÑUEL, 1954 A GEISHA KENJI MIZOGUCHI, 1953 PADRE PADRONE PAOLO TAVIANI, VITTORIO TAVIANI, 1977 WAVELENGTH MICHAEL SNOW, 1967 MADONNA OF THE SEVEN MOONS ARTHUR CRABTREE, 1944 PLANET OF THE APES FRANKLIN J. SCHAFFNER, 1968 THEY WERE EXPENDABLE JOHN FORD, 1945 LA DOLCE VITA FEDERICO FELLINI, 1960 PARASITE BONG JOON-HO, 2019 LACOMBE, LUCIEN LOUIS MALLE, 1974 SHOOT THE PIANO PLAYER FRANÇOIS TRUFFAUT, 1960 DREAMS INGMAR BERGMAN, 1955 WICKER PARK PAUL MCGUIGAN, 2004 FACES JOHN CASSAVETES, 1968 NAUSICAÄ OF THE VALLEY OF THE WIND HAYAO MIYAZAKI, 1984 THE MAN FROM LARAMIE ANTHONY MANN, 1955 AU REVOIR LES ENFANTS LOUIS MALLE, 1987 THE LAST EMPEROR BERNARDO BERTOLUCCI, 1987 THE TEN COMMANDMENTS CECIL B. DEMILLE, 1956 COLONEL CHABERT YVES ANGELO, 1994 WOMEN OF THE NIGHT KENJI MIZOGUCHI, 1948 THE WARPED ONES KOREYOSHI KURAHARA, 1960 RIO GRANDE JOHN FORD, 1950 THE MEN WHO TREAD ON THE TIGER’S TAIL AKIRA KUROSAWA, 1945 BRIEF ENCOUNTER DAVID LEAN, 1945 GLENGARRY GLEN ROSS JAMES FOLEY, 1992 A STAR IS BORN GEORGE CUKOR, 1954 RIFIFI JULES DASSIN, 1955 DANTON ANDRZEJ WAJDA, 1983 BOUDU SAVED FROM DROWNING JEAN RENOIR, 1932 ROCCO AND HIS BROTHERS LUCHINO VISCONTI, 1960 THE END OF SUMMER YASUJIRÔ OZU, 1961 A LESSON IN LOVE INGMAR BERGMAN, 1954 MAKE WAY FOR TOMORROW LEO MCCAREY, 1937 BROADWAY DANNY ROSE WOODY ALLEN, 1984 SUNDAY’S CHILDREN DANIEL BERGMAN, 1992 UNION PACIFIC CECIL B. DEMILLE, 1939 E.T.: THE EXTRA-TERRESTRIAL STEVEN SPIELBERG, 1982 ON THE WATERFRONT ELIA KAZAN, 1954 TIME OUT LAURENT CANTET, 2001 THE LADY EVE PRESTON STURGES, 1941 OUT OF THE PAST JACQUES TOURNEUR, 1947 POINT BLANK JOHN BOORMAN, 1967 THE BOUNTY ROGER DONALDSON, 1984 ONE WONDERFUL SUNDAY AKIRA KUROSAWA, 1947 HARLAN COUNTY USA BARBARA KOPPLE, 1976 INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL STEVEN SPIELBERG, 2008 THE BIG PARADE KING VIDOR, 1925 THE GUNFIGHTER HENRY KING, 1950 LE BEAU SERGE CLAUDE CHABROL, 1958 COWS JULIO MEDEM, 1992 FATHER ISTVÁN SZABÓ, 1966 THE FAMILY GAME YOSHIMITSU MORITA, 1983 LE CORBEAU HENRI-GEORGES CLOUZOT, 1943 SMOKING ALAIN RESNAIS, 1993 NO SMOKING ALAIN RESNAIS, 1993 THE BIG SLEEP HOWARD HAWKS, 1946 SAFE CONDUCT BERTRAND TAVERNIER, 2002 DADDY NOSTALGIA BERTRAND TAVERNIER, 1990 VIVRE SA VIE JEAN-LUC GODARD, 1962 BLITHE SPIRIT DAVID LEAN, 1945 BEN-HUR WILLIAM WYLER, 1959 STORY OF A PROSTITUTE SEIJUN SUZUKI, 1965 SHE WORE A YELLOW RIBBON JOHN FORD, 1949 ONCE UPON A TIME IN ANATOLIA NURI BILGE CEYLAN, 2011 IN A LONELY PLACE NICHOLAS RAY, 1950 JAPAN’S LONGEST DAY KIHACHI OKAMOTO, 1967 MR. SMITH GOES TO WASHINGTON FRANK CAPRA, 1939 MAN HUNT FRITZ LANG, 1941 THE BAKER’S WIFE MARCEL PAGNOL, 1938 BLUE VELVET DAVID LYNCH, 1986 SAMSON AND DELILAH CECIL B. DEMILLE, 1949 A TREE GROWS IN BROOKLYN ELIA KAZAN, 1945 THE OX-BOW INCIDENT WILLIAM A. WELLMAN, 1942 SARATOGA TRUNK SAM WOOD, 1945 THE SARAGOSSA MANUSCRIPT WOJCIECH HAS, 1965 QUAI DES ORFÈVRES HENRI-GEORGES CLOUZOT, 1947 HEAVEN & EARTH OLIVER STONE, 1993 PALE FLOWER MASAHIRO SHINODA, 1964 LITTLE BIG MAN ARTHUR PENN, 1970 LOVE AND ANARCHY LINA WERTMÜLLER, 1973 HOBSON’S CHOICE DAVID LEAN, 1954 THE PARADINE CASE ALFRED HITCHCOCK, 1947 LIFE OF PI ANG LEE, 2012 FANTÔMAS LOUIS FEUILLADE, 1913 WEST SIDE STORY JEROME ROBBINS, ROBERT WISE, 1961 THE FURIES ANTHONY MANN, 1950 THE PORNOGRAPHERS SHÔHEI IMAMURA, 1966 THE LAST PICTURE SHOW PETER BOGDANOVICH, 1971 THE SHOP ON MAIN STREET JÁN KADÁR, ELMAR KLOS, 1965 THE PUBLIC ENEMY WILLIAM A. WELLMAN, 1931 MURMUR OF THE HEART LOUIS MALLE, 1971 BREAKER MORANT BRUCE BERESFORD, 1980 WINCHESTER ’73 ANTHONY MANN, 1950 THE LACEMAKER CLAUDE GORETTA, 1977 THE LONG RIDERS WALTER HILL, 1980 THE LOVERS LOUIS MALLE, 1958 HUD MARTIN RITT, 1963 THE INFORMANT! STEVEN SODERBERGH, 2009 MOBY DICK JOHN HUSTON, 1956 PAPILLON FRANKLIN J. SCHAFFNER, 1973 LORD JIM RICHARD BROOKS, 1965 THIEVES’ HIGHWAY JULES DASSIN, 1949 DIRTY HARRY DON SIEGEL, 1971 INVASION OF THE BODY SNATCHERS DON SIEGEL, 1956 TO LIVE ZHANG YIMOU, 1994 THE INFORMER JOHN FORD, 1935 ULZANA’S RAID ROBERT ALDRICH, 1972 RIO BRAVO HOWARD HAWKS, 1959 WILD STRAWBERRIES INGMAR BERGMAN, 1957 THIS MAN MUST DIE CLAUDE CHABROL, 1969 FELICIA’S JOURNEY ATOM EGOYAN, 1999 GRAVITY ALFONSO CUARÓN, 2013 UNDER THE SUN OF SATAN MAURICE PIALAT, 1987 THE CLOCKMAKER OF ST. PAUL BERTRAND TAVERNIER, 1974 THE FLOWER OF EVIL CLAUDE CHABROL, 2003 OSSESSIONE LUCHINO VISCONTI, 1943 SULLIVAN’S TRAVELS PRESTON STURGES, 1941 THE DAY OF THE JACKAL FRED ZINNEMANN, 1973 THE IDIOT AKIRA KUROSAWA, 1951 I CONFESS ALFRED HITCHCOCK, 1953 STRAY DOG AKIRA KUROSAWA, 1949 L’ENFER CLAUDE CHABROL, 1994 LOCAL HERO BILL FORSYTH, 1983 LIFEBOAT ALFRED HITCHCOCK, 1944 CHRIST STOPPED AT EBOLI FRANCESCO ROSI, 1979 HEAVEN’S GATE MICHAEL CIMINO, 1980 MY MAN GODFREY GREGORY LA CAVA, 1936 MELVIN AND HOWARD JONATHAN DEMME, 1980 COUP DE TORCHON BERTRAND TAVERNIER, 1981 THE NIGHT OF THE HUNTER CHARLES LAUGHTON, 1955 IVAN’S CHILDHOOD ANDREI TARKOVSKY, 1962 UNFAITHFULLY YOURS PRESTON STURGES, 1948 THE LAST HURRAH JOHN FORD, 1958 THE UNFAITHFUL WIFE CLAUDE CHABROL, 1969 NICHOLAS AND ALEXANDRA FRANKLIN J. SCHAFFNER, 1971 3 GODFATHERS JOHN FORD, 1948 THE MARQUISE OF O ÉRIC ROHMER, 1976 JAWS STEVEN SPIELBERG, 1975 KUNDUN MARTIN SCORSESE, 1997 NIGHT OF THE LIVING DEAD GEORGE A. ROMERO, 1968 ALL ABOUT EVE JOSEPH L. MANKIEWICZ, 1950 AND QUIET FLOWS THE DON SERGEI GERASIMOV, 1957 FAREWELL CHRISTIAN CARION, 2009 EIJANAIKA SHÔHEI IMAMURA, 1981 THE BIG CITY SATYAJIT RAY, 1963 BRIGHTNESS SOULEYMANE CISSÉ, 1987 BLOOD SIMPLE JOEL COEN, 1984 THE RETURN OF FRANK JAMES FRITZ LANG, 1940 NO COUNTRY FOR OLD MEN JOEL COEN, ETHAN COEN, 2007 CHARULATA SATYAJIT RAY, 1964 BEYOND A REASONABLE DOUBT FRITZ LANG, 1956 LE JOLI MAI CHRIS MARKER, PIERRE LHOMME, 1963 SEVEN BRIDES FOR SEVEN BROTHERS STANLEY DONEN, 1954 SALVATORE GIULIANO FRANCESCO ROSI, 1962 LES BICHES CLAUDE CHABROL, 1968 CARNAL KNOWLEDGE MIKE NICHOLS, 1971 SISTERS OF THE GION KENJI MIZOGUCHI, 1936 PEEPING TOM MICHAEL POWELL, 1960 OPEN DOORS GIANNI AMELIO, 1990 MINISTRY OF FEAR FRITZ LANG, 1944 THE STRAIGHT STORY DAVID LYNCH, 1999 BONNIE AND CLYDE ARTHUR PENN, 1967 PORT OF SHADOWS MARCEL CARNÉ, 1938 THE YOUNG ONE LUIS BUÑUEL, 1960 THE FIRE WITHIN LOUIS MALLE, 1963 FRIEND KWAK KYUNG-TAEK, 2001 A STREETCAR NAMED DESIRE ELIA KAZAN, 1951 THE VIRGIN SPRING INGMAR BERGMAN, 1960 OSAKA ELEGY KENJI MIZOGUCHI, 1936 EVERLASTING MOMENTS JAN TROELL, 2008 RAGTIME MILOŠ FORMAN, 1981 THE WRONG MAN ALFRED HITCHCOCK, 1956 THE BURMESE HARP KON ICHIKAWA, 1956 THE BIG HEAT FRITZ LANG, 1953 BURN! GILLO PONTECORVO, 1969 KINGS OF THE ROAD WIM WENDERS, 1976 TAMPOPO JÛZÔ ITAMI, 1985 THE WOMAN OF RUMOUR KENJI MIZOGUCHI, 1954 THE RETURN OF MARTIN GUERRE DANIEL VIGNE, 1982 WHITE HEAT RAOUL WALSH, 1949 OUR MAN IN HAVANA CAROL REED, 1959 THE THICK-WALLED ROOM MASAKI KOBAYASHI, 1956 HELL’S ANGELS HOWARD HUGHES, 1930 SUNFLOWER ZHANG YANG, 2005 SHUTTER ISLAND MARTIN SCORSESE, 2010 NOBODY KNOWS HIROKAZU KORE-EDA, 2004 LAMERICA GIANNI AMELIO, 1994 ONE FINE DAY ERMANNO OLMI, 1969 THE MAN IN GREY LESLIE ARLISS, 1943 THE EEL SHÔHEI IMAMURA, 1997 BURNT BY THE SUN NIKITA MIKHALKOV, 1994 BIRDMAN OF ALCATRAZ JOHN FRANKENHEIMER, 1962 A COLT IS MY PASSPORT TAKASHI NOMURA, 1967 THE MAN WHO SKIED DOWN EVEREST BRUCE NYZNIK, LAWRENCE SCHILLER, 1975 A SCANNER DARKLY RICHARD LINKLATER, 2006 THE CRANES ARE FLYING MIKHAIL KALATOZOV, 1957 THE GODDESS SATYAJIT RAY, 1960 WHILE THE CITY SLEEPS FRITZ LANG, 1956 RED DESERT MICHELANGELO ANTONIONI, 1964 ELEVATOR TO THE GALLOWS LOUIS MALLE, 1958 THE PROFESSIONALS RICHARD BROOKS, 1966 JUD SÜSS VEIT HARLAN, 1940 FAR FROM THE MADDING CROWD JOHN SCHLESINGER, 1967 MONSIEUR HIRE PATRICE LECONTE, 1989 THE HORSE SOLDIERS JOHN FORD, 1959 Y TU MAMÁ TAMBIÉN ALFONSO CUARÓN, 2001 DOWNFALL OLIVER HIRSCHBIEGEL, 2004 A SPECIAL DAY ETTORE SCOLA, 1977 THE WESTERNER WILLIAM WYLER, 1940 THE DOUBLE LIFE OF VÉRONIQUE KRZYSZTOF KIESLOWSKI, 1991 THE TAKING OF PELHAM ONE TWO THREE JOSEPH SARGENT, 1974 I AM A FUGITIVE FROM A CHAIN GANG MERVYN LEROY, 1932 L’INNOCENTE LUCHINO VISCONTI, 1976 THE RED HOUSE DELMER DAVES, 1947 GENEVIEVE HENRY CORNELIUS, 1953 THEY SHOOT HORSES, DON’T THEY? SYDNEY POLLACK, 1969 BIG DEAL ON MADONNA STREET MARIO MONICELLI, 1958 LA PROMESSE JEAN-PIERRE DARDENNE, LUC DARDENNE, 1996 THE WICKER MAN ROBIN HARDY, 1973 CASQUE D’OR JACQUES BECKER, 1952 NO REGRETS FOR OUR YOUTH AKIRA KUROSAWA, 1946 A BULLET FOR THE GENERAL DAMIANO DAMIANI, 1966 THE GENERAL JOHN BOORMAN, 1998 LAND AND FREEDOM KEN LOACH, 1995 THE KING OF COMEDY MARTIN SCORSESE, 1982 WAR OF THE WORLDS STEVEN SPIELBERG, 2005 SPEAKING PARTS ATOM EGOYAN, 1989 FLAGS OF OUR FATHERS CLINT EASTWOOD, 2006 LETTERS FROM IWO JIMA CLINT EASTWOOD, 2006 THE OTHERS ALEJANDRO AMENÁBAR, 2001 THE BAND WAGON VINCENTE MINNELLI, 1953 HIMATSURI: FIRE FESTIVAL MITSUO YANAGIMACHI, 1985 DOUBLE SUICIDE MASAHIRO SHINODA, 1969 LE JOUR SE LÈVE MARCEL CARNÉ, 1939 SWEPT AWAY LINA WERTMÜLLER, 1974 THE FIREMEN’S BALL MILOŠ FORMAN, 1967 FAREWELL MY CONCUBINE CHEN KAIGE, 1993 AMORES PERROS ALEJANDRO GONZÁLEZ IÑÁRRITU, 2000 KILLER’S KISS STANLEY KUBRICK, 1955 CARRIE BRIAN DE PALMA, 1976 TEN DARK WOMEN KON ICHIKAWA, 1961 MY NEIGHBOR TOTORO HAYAO MIYAZAKI, 1988 NIGHT OF THE SHOOTING STARS PAOLO TAVIANI, VITTORIO TAVIANI, 1982 A MARRIED WOMAN JEAN-LUC GODARD, 1964 MACARTHUR’S CHILDREN MASAHIRO SHINODA, 1984 REBEL WITHOUT A CAUSE NICHOLAS RAY, 1955 BILLY BUDD PETER USTINOV, 1962 THE SKIN GAME ALFRED HITCHCOCK, 1931 RIOT IN CELL BLOCK 11 DON SIEGEL, 1954 HAMLET GRIGORI KOZINTSEV, 1964 CAPTAINS COURAGEOUS VICTOR FLEMING, 1937 THE GREAT BEAUTY PAOLO SORRENTINO, 2013 ZORBA THE GREEK MIHALIS KAKOGIANNIS, 1964 TORMENT ALF SJÖBERG, 1944 KING LEAR GRIGORI KOZINTSEV, 1971 BLOW OUT BRIAN DE PALMA, 1981 THE FLIGHT OF THE PHOENIX ROBERT ALDRICH, 1965 MY NIGHT AT MAUD’S ÉRIC ROHMER, 1969 2 OR 3 THINGS I KNOW ABOUT HER JEAN-LUC GODARD, 1967 DO YOU REMEMBER DOLLY BELL? EMIR KUSTURICA, 1981 ALI: FEAR EATS THE SOUL RAINER WERNER FASSBINDER, 1974 KANAL ANDRZEJ WAJDA, 1957 VERA CRUZ ROBERT ALDRICH, 1954 THE SECOND CIRCLE ALEKSANDR SOKUROV, 1990 A MOMENT OF INNOCENCE MOHSEN MAKHMALBAF, 1996 SABOTEUR ALFRED HITCHCOCK, 1942 BRINK OF LIFE INGMAR BERGMAN, 1958 THE BROWNING VERSION ANTHONY ASQUITH, 1951 IL BIDONE FEDERICO FELLINI, 1955 BABETTE’S FEAST GABRIEL AXEL, 1987 THE LOWER DEPTHS JEAN RENOIR, 1936 THE LOWER DEPTHS AKIRA KUROSAWA, 1957 THE EXORCIST WILLIAM FRIEDKIN, 1973 MERCI POUR LE CHOCOLAT CLAUDE CHABROL, 2000 A FISTFUL OF DOLLARS SERGIO LEONE, 1964 THE GETAWAY SAM PECKINPAH, 1972 THE PASSENGER MICHELANGELO ANTONIONI, 1975 YI YI EDWARD YANG, 2000 GUELWAAR OUSMANE SEMBÈNE, 1992 TOKYO DRIFTER SEIJUN SUZUKI, 1966 MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD PETER WEIR, 2003 THE SPANISH PRISONER DAVID MAMET, 1997 THE REBEL NAGISA ÔSHIMA, 1962 THE LOVERS ON THE BRIDGE LÉOS CARAX, 1991 THE RIVER TSAI MING-LIANG, 1997 CLAIRE’S KNEE ÉRIC ROHMER, 1970 ANATOMY OF A MURDER OTTO PREMINGER, 1959 THE APARTMENT BILLY WILDER, 1960 THE RED BADGE OF COURAGE JOHN HUSTON, 1951 PIERROT LE FOU JEAN-LUC GODARD, 1965 SEVEN MEN FROM NOW BUDD BOETTICHER, 1956 SCARFACE BRIAN DE PALMA, 1983 THE IPCRESS FILE SIDNEY J. FURIE, 1965 DAY OF THE OUTLAW ANDRÉ DE TOTH, 1959 LE BONHEUR AGNÈS VARDA, 1965 MUTINY ON THE BOUNTY FRANK LLOYD, 1935 MUTINY ON THE BOUNTY LEWIS MILESTONE, CAROL REED, 1962 LE PETIT SOLDAT JEAN-LUC GODARD, 1963 DISTANT NURI BILGE CEYLAN, 2002 CUL-DE-SAC ROMAN POLANSKI, 1966 THE MIDDLEMAN SATYAJIT RAY, 1976 WOODSTOCK MICHAEL WADLEIGH, 1970 JAMAICA INN ALFRED HITCHCOCK, 1939 JACOB’S LADDER ADRIAN LYNE, 1990 OPEN YOUR EYES ALEJANDRO AMENÁBAR, 1997 OLEANNA DAVID MAMET, 1994 PICNIC JOSHUA LOGAN, 1955 WALKER ALEX COX, 1987 MAPS TO THE STARS DAVID CRONENBERG, 2014 MEPHISTO ISTVÁN SZABÓ, 1981 SLEEPER WOODY ALLEN, 1973 MOON DUNCAN JONES, 2009 MY MOTHER’S CASTLE YVES ROBERT, 1990 YOUTH OF THE BEAST SEIJUN SUZUKI, 1963 CONTEMPT JEAN-LUC GODARD, 1963 MY FATHER’S GLORY YVES ROBERT, 1990 DR. JEKYLL AND MR. HYDE VICTOR FLEMING, 1941 THE WICKED LADY LESLIE ARLISS, 1945 ROPE ALFRED HITCHCOCK, 1948 MARY OF SCOTLAND JOHN FORD, LESLIE GOODWINS, 1936 THE WHITE DOVE FRANTIŠEK VLÁCIL, 1960 HAWKS AND SPARROWS PIER PAOLO PASOLINI, 1966 THE SORROW AND THE PITY MARCEL OPHÜLS, 1969 RIKYU HIROSHI TESHIGAHARA, 1989 THE HOME AND THE WORLD SATYAJIT RAY, 1984 THE INCREDIBLES BRAD BIRD, 2004 WATERWORLD KEVIN REYNOLDS, 1995 THE FRENCH CONNECTION WILLIAM FRIEDKIN, 1971 GUNGA DIN GEORGE STEVENS, 1939 THE CONVERSATION FRANCIS FORD COPPOLA, 1974 ZODIAC DAVID FINCHER, 2007 THE ADVENTURES OF TINTIN STEVEN SPIELBERG, 2011 3:10 TO YUMA DELMER DAVES, 1957 THE CHARGE OF THE LIGHT BRIGADE TONY RICHARDSON, 1968 PLATOON OLIVER STONE, 1986 BRIDGE OF SPIES STEVEN SPIELBERG, 2015 TASTE OF CHERRY ABBAS KIAROSTAMI, 1997 CRIME AND PUNISHMENT LEV KULIDZHANOV, 1970 BREAD AND CHOCOLATE FRANCO BRUSATI, 1974 THE VIRGIN SUICIDES SOFIA COPPOLA, 1999 LOVE IN THE AFTERNOON ÉRIC ROHMER, 1972 THE BITTER TEA OF GENERAL YEN FRANK CAPRA, 1933 ELECTION JOHNNIE TO, 2005 TRIAD ELECTION JOHNNIE TO, 2006 THE BARBARIAN INVASIONS DENYS ARCAND, 2003 KEY LARGO JOHN HUSTON, 1948 MICHAEL CLAYTON TONY GILROY, 2007 GERVAISE RENÉ CLÉMENT, 1956 THE MANXMAN ALFRED HITCHCOCK, 1929 BARTON FINK JOEL COEN, ETHAN COEN, 1991 BIRD OF PARADISE KING VIDOR, 1932 YOUNG AND INNOCENT ALFRED HITCHCOCK, 1937 SCENES FROM A MARRIAGE (TELEVISION VERSION) INGMAR BERGMAN, 1973 LE AMICHE MICHELANGELO ANTONIONI, 1955 HALLOWEEN JOHN CARPENTER, 1978 VA SAVOIR JACQUES RIVETTE, 2001 STOP MAKING SENSE JONATHAN DEMME, 1984 STAR WARS GEORGE LUCAS, 1977 STAR WARS: EPISODE II – ATTACK OF THE CLONES GEORGE LUCAS, 2002 STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK IRVIN KERSHNER, 1980 BEIJING BICYCLE WANG XIAOSHUAI, 2001 THE ONLY SON YASUJIRÔ OZU, 1936 CONQUEST OF THE PLANET OF THE APES J. LEE THOMPSON, 1972 BUNNY LAKE IS MISSING OTTO PREMINGER, 1965 ELMER GANTRY RICHARD BROOKS, 1960 LOVES OF A BLONDE MILOŠ FORMAN, 1965 AFFAIR IN THE SNOW YOSHISHIGE YOSHIDA, 1967 CATCH ME IF YOU CAN STEVEN SPIELBERG, 2002 REDS WARREN BEATTY, 1981 THE SECRET GARDEN AGNIESZKA HOLLAND, 1993 THIRST FOR LOVE KOREYOSHI KURAHARA, 1966 TUNES OF GLORY RONALD NEAME, 1960 IN THE CITY OF SYLVIA JOSÉ LUIS GUERÍN, 2007 THE LAVENDER HILL MOB CHARLES CRICHTON, 1951 BEFORE SUNSET RICHARD LINKLATER, 2004 LOVE AND DEATH WOODY ALLEN, 1975 GONZA THE SPEARMAN MASAHIRO SHINODA, 1986 THE LAST WALTZ MARTIN SCORSESE, 1978 BAD DAY AT BLACK ROCK JOHN STURGES, 1955 ALL QUIET ON THE WESTERN FRONT LEWIS MILESTONE, 1930 THE DAMNED LUCHINO VISCONTI, 1969 THE BOURNE IDENTITY DOUG LIMAN, 2002 SCARFACE HOWARD HAWKS, RICHARD ROSSON, 1932 SCHINDLER’S LIST STEVEN SPIELBERG, 1993 FROM THE LIFE OF THE MARIONETTES INGMAR BERGMAN, 1980 THE BEGUILED DON SIEGEL, 1971 LE TROU JACQUES BECKER, 1960 THE BOURNE SUPREMACY PAUL GREENGRASS, 2004 WHERE IS THE FRIEND’S HOME? ABBAS KIAROSTAMI, 1987 DUEL IN THE SUN KING VIDOR, OTTO BROWER, WILLIAM DIETERLE, SIDNEY FRANKLIN, WILLIAM CAMERON MENZIES, DAVID O. SELZNICK, JOSEF VON STERNBERG, 1946 THE CONSPIRATOR ROBERT REDFORD, 2010 LOST HORIZON FRANK CAPRA, 1937 THE HOUSE OF MIRTH TERENCE DAVIES, 2000 STOLEN KISSES FRANÇOIS TRUFFAUT, 1968 THE WOMAN NEXT DOOR FRANÇOIS TRUFFAUT, 1981 THE HIRED HAND PETER FONDA, 1971 BLACKMAIL ALFRED HITCHCOCK, 1929 ELEPHANT GUS VAN SANT, 2003 BEAUTY AND THE BEAST JEAN COCTEAU, RENÉ CLÉMENT, 1946 ROSA LUXEMBURG MARGARETHE VON TROTTA, 1986 RIDE LONESOME BUDD BOETTICHER, 1959 ¡QUE VIVA MEXICO! SERGEI EISENSTEIN, GRIGORI ALEKSANDROV, 1932 WESTERN UNION FRITZ LANG, 1941 PELLE THE CONQUEROR BILLE AUGUST, 1987 FRENZY ALFRED HITCHCOCK, 1972 YOL SERIF GÖREN, YILMAZ GÜNEY, 1982 YELLOW SKY WILLIAM A. WELLMAN, 1948 MARIUS ALEXANDER KORDA, MARCEL PAGNOL, 1931 CONFLAGRATION KON ICHIKAWA, 1958 THE BRIDE WORE BLACK FRANÇOIS TRUFFAUT, 1968 FANNY MARC ALLÉGRET, MARCEL PAGNOL, 1932 AN INLET OF MUDDY WATER TADASHI IMAI, 1953 TRUE GRIT JOEL COEN, ETHAN COEN, 2010 HOPE AND GLORY JOHN BOORMAN, 1987 BREAKING AWAY PETER YATES, 1979 RYAN’S DAUGHTER DAVID LEAN, 1970 CÉSAR MARCEL PAGNOL, 1936 WAR HORSE STEVEN SPIELBERG, 2011 CARMEN FROM KAWACHI SEIJUN SUZUKI, 1966 THE VERDICT SIDNEY LUMET, 1982 THE SUN ALEKSANDR SOKUROV, 2005 ASHES AND DIAMONDS ANDRZEJ WAJDA, 1958 JUBAL DELMER DAVES, 1956 FOOTNOTE JOSEPH CEDAR, 2011 THE MISSION ROLAND JOFFÉ, 1986 JULIET OF THE SPIRITS FEDERICO FELLINI, 1965 THÉRÈSE ALAIN CAVALIER, 1986 I AM CUBA MIKHAIL KALATOZOV, 1964 CHARIOTS OF FIRE HUGH HUDSON, 1981 THE STORY OF ADELE H. FRANÇOIS TRUFFAUT, 1975 THE HURT LOCKER KATHRYN BIGELOW, 2008 THE PIANIST ROMAN POLANSKI, 2002 LIFE, AND NOTHING MORE… ABBAS KIAROSTAMI, 1992 HANGMEN ALSO DIE! FRITZ LANG, 1943 WAKING LIFE RICHARD LINKLATER, 2001 SPARTAN DAVID MAMET, 2004 DISTANT THUNDER SATYAJIT RAY, 1973 THE SINGLE STANDARD JOHN S. ROBERTSON, 1929 JEAN DE FLORETTE CLAUDE BERRI, 1986 PLATFORM JIA ZHANGKE, 2000 THE VILLAGE M. NIGHT SHYAMALAN, 2004 BEING THERE HAL ASHBY, 1979 LITTLE CAESAR MERVYN LEROY, 1931 MONTEREY POP D.A. PENNEBAKER, 1968 MODERN ROMANCE ALBERT BROOKS, 1981 SANSHIRO SUGATA AKIRA KUROSAWA, 1943 AMOUR MICHAEL HANEKE, 2012 THE MOTHER AND THE WHORE JEAN EUSTACHE, 1973 BEING TWO ISN’T EASY KON ICHIKAWA, 1962 ZELIG WOODY ALLEN, 1983 BILLY THE KID KING VIDOR, 1930 BORN ON THE FOURTH OF JULY OLIVER STONE, 1989 THE SPIRIT OF THE BEEHIVE VÍCTOR ERICE, 1973 THE HEARTBREAK KID ELAINE MAY, 1972 BEDAZZLED STANLEY DONEN, 1967 THIS GUN FOR HIRE FRANK TUTTLE, 1942 THE SUNDOWNERS FRED ZINNEMANN, 1960 RED WOOD PIGEON NANNI MORETTI, 1989 DARLING JOHN SCHLESINGER, 1965 THE INNOCENTS JACK CLAYTON, 1961 NIGHT MOVES ARTHUR PENN, 1975 THE MASTER PAUL THOMAS ANDERSON, 2012 STATE AND MAIN DAVID MAMET, 2000 FISTS IN THE POCKET MARCO BELLOCCHIO, 1965 AKIRA KUROSAWA’S DREAMS AKIRA KUROSAWA, 1990 THE MISSOURI BREAKS ARTHUR PENN, 1976 THE 1,000 EYES OF DR. MABUSE FRITZ LANG, 1960 THE RULES OF ATTRACTION ROGER AVARY, 2002 DILLINGER IS DEAD MARCO FERRERI, 1969 A HISTORY OF VIOLENCE DAVID CRONENBERG, 2005 BLACK RAIN SHÔHEI IMAMURA, 1989 IL GRIDO MICHELANGELO ANTONIONI, 1957 GET CARTER MIKE HODGES, 1971 FURY FRITZ LANG, 1936 GETTYSBURG RONALD F. MAXWELL, 1993 WOLFEN MICHAEL WADLEIGH, 1981 TO SLEEP WITH ANGER CHARLES BURNETT, 1990 THE BIG CLOCK JOHN FARROW, 1948 GIMME SHELTER ALBERT MAYSLES, DAVID MAYSLES, CHARLOTTE ZWERIN, 1970 HOODLUM SOLDIER YASUZÔ MASUMURA, 1965 THE LAST OF THE MOHICANS MICHAEL MANN, 1992 THE RETURN ANDREY ZVYAGINTSEV, 2003 SCANDAL MICHAEL CATON-JONES, 1989 THIS HAPPY BREED DAVID LEAN, 1944 SOMETIMES A GREAT NOTION PAUL NEWMAN, 1970 THE LEFT HANDED GUN ARTHUR PENN, 1958 BANDITS OF ORGOSOLO VITTORIO DE SETA, 1961 HANNAH AND HER SISTERS WOODY ALLEN, 1986 MILLER’S CROSSING JOEL COEN, ETHAN COEN, 1990 UTU GEOFF MURPHY, 1983 STREET OF WOMEN ARCHIE MAYO, 1932 MOSCOW DOES NOT BELIEVE IN TEARS VLADIMIR MENSHOV, 1980 DIAL M FOR MURDER ALFRED HITCHCOCK, 1954 JEREMIAH JOHNSON SYDNEY POLLACK, 1972 4 MONTHS, 3 WEEKS AND 2 DAYS CRISTIAN MUNGIU, 2007 IMITATION OF LIFE DOUGLAS SIRK, 1959 CITY OF GOD FERNANDO MEIRELLES, KÁTIA LUND, 2002 L.627 BERTRAND TAVERNIER, 1992 DESTINY OF A MAN SERGEI BONDARCHUK, 1959 ONCE UPON A TIME… IN HOLLYWOOD QUENTIN TARANTINO, 2019 COUNTRY BOYS DAVID SUTHERLAND, 2005 BARKING DOGS NEVER BITE BONG JOON-HO, 2000 THE MAN WHO WOULD BE KING JOHN HUSTON, 1975 FLIRTING JOHN DUIGAN, 1991 HENRY V LAURENCE OLIVIER, 1944 THE MYSTERY OF PICASSO HENRI-GEORGES CLOUZOT, 1956 KISS ME DEADLY ROBERT ALDRICH, 1955 ELENA ANDREY ZVYAGINTSEV, 2011 TRON STEVEN LISBERGER, 1982 FEMME FATALE BRIAN DE PALMA, 2002 GATE OF FLESH SEIJUN SUZUKI, 1964 SUSPICION ALFRED HITCHCOCK, 1941 CLÉO FROM 5 TO 7 AGNÈS VARDA, 1962 HEAT MICHAEL MANN, 1995 CLOVERFIELD MATT REEVES, 2008 THE KING AND I WALTER LANG, 1956 M*A*S*H ROBERT ALTMAN, 1970 HELL IN THE PACIFIC JOHN BOORMAN, 1968 AMERICAN ANIMALS BART LAYTON, 2018 THE PURPLE ROSE OF CAIRO WOODY ALLEN, 1985 DODES’KA-DEN AKIRA KUROSAWA, 1970 ADVISE & CONSENT OTTO PREMINGER, 1962 ALIEN³ DAVID FINCHER, 1992 ALIEN RIDLEY SCOTT, 1979 GIANT GEORGE STEVENS, 1956 THE WRESTLER DARREN ARONOFSKY, 2008 THE STORY OF QIU JU ZHANG YIMOU, 1992 THE WOLF OF WALL STREET MARTIN SCORSESE, 2013 THE FOUNTAINHEAD KING VIDOR, 1949 LIKE FATHER, LIKE SON HIROKAZU KORE-EDA, 2013 JOURNEY’S END SAUL DIBB, 2017 THE SIXTH SENSE M. NIGHT SHYAMALAN, 1999 DICK TRACY WARREN BEATTY, 1990 AFTER HOURS MARTIN SCORSESE, 1985 AMERICAN GRAFFITI GEORGE LUCAS, 1973 A FACE IN THE CROWD ELIA KAZAN, 1957 DITA SAXOVÁ – THE GIRL WHO GREW UP TOO FAST ANTONÍN MOSKALYK, 1967 GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES HUGH HUDSON, 1984 THE COMMISSAR ALEKSANDR ASKOLDOV, 1967 REQUIEM FOR A DREAM DARREN ARONOFSKY, 2000 SEVEN DAYS IN MAY JOHN FRANKENHEIMER, 1964 MAURICE JAMES IVORY, 1987 SNOW WHITE AND THE HUNTSMAN RUPERT SANDERS, 2012 THREE DAYS OF THE CONDOR SYDNEY POLLACK, 1975 PRISON INGMAR BERGMAN, 1949 TWELVE O’CLOCK HIGH HENRY KING, 1949 ARIEL AKI KAURISMÄKI, 1988 METROPOLITAN WHIT STILLMAN, 1990 THE LAST DAYS OF DISCO WHIT STILLMAN, 1998 TAKE THE MONEY AND RUN WOODY ALLEN, 1969 AND THE SHIP SAILS ON FEDERICO FELLINI, 1983 TOGETHER CHEN KAIGE, 2002 EXODUS OTTO PREMINGER, 1960 AMARCORD FEDERICO FELLINI, 1973 KOYAANISQATSI GODFREY REGGIO, 1982 THE MUMMY KARL FREUND, 1932 THIRST INGMAR BERGMAN, 1949 HOUR OF THE STAR SUZANA AMARAL, 1985 CARLOS OLIVIER ASSAYAS, 2010 THE BIG RED ONE SAMUEL FULLER, 1980 GANDHI RICHARD ATTENBOROUGH, 1982 HEREDITARY ARI ASTER, 2018 SHANGHAI TRIAD ZHANG YIMOU, 1995 FIRST NAME: CARMEN JEAN-LUC GODARD, 1983 THE BIBLE… IN THE BEGINNING JOHN HUSTON, 1966 THE HYPOTHESIS OF THE STOLEN PAINTING RAÚL RUIZ, 1978 LOVE STORY ARTHUR HILLER, 1970 EAST OF EDEN ELIA KAZAN, 1955 A SEPARATION ASGHAR FARHADI, 2011 THE SEA IS WATCHING KEI KUMAI, 2002 HOUSEKEEPING BILL FORSYTH, 1987 THE AVIATOR MARTIN SCORSESE, 2004 FIVE EASY PIECES BOB RAFELSON, 1970 THE KILLERS DON SIEGEL, 1964 CRUISING WILLIAM FRIEDKIN, 1980 ICE STATION ZEBRA JOHN STURGES, 1968 BECKET PETER GLENVILLE, 1964 WILD RIVER ELIA KAZAN, 1960 THE KILLERS ROBERT SIODMAK, 1946 SISTERS, OR THE BALANCE OF HAPPINESS MARGARETHE VON TROTTA, 1979 INSIDE LLEWYN DAVIS JOEL COEN, ETHAN COEN, 2013 DOWNHILL RACER MICHAEL RITCHIE, 1969 HOMBRE MARTIN RITT, 1967 BERLIN ALEXANDERPLATZ RAINER WERNER FASSBINDER, 1980 THE SERPENT’S EGG INGMAR BERGMAN, 1977 ALL ABOUT MY MOTHER PEDRO ALMODÓVAR, 1999 SWEET SMELL OF SUCCESS ALEXANDER MACKENDRICK, 1957 THE 39 STEPS ALFRED HITCHCOCK, 1935 THE DIVING BELL AND THE BUTTERFLY JULIAN SCHNABEL, 2007 DRUNKEN ANGEL AKIRA KUROSAWA, 1948 THE WAY BACK PETER WEIR, 2010 THE HIT STEPHEN FREARS, 1984 THE THOMAS CROWN AFFAIR JOHN MCTIERNAN, 1999 THE CARABINEERS JEAN-LUC GODARD, 1963 LOLA JACQUES DEMY, 1961 THE WINSLOW BOY DAVID MAMET, 1999 LA BÊTE HUMAINE JEAN RENOIR, 1938 MISHIMA: A LIFE IN FOUR CHAPTERS PAUL SCHRADER, 1985 SOMEBODY UP THERE LIKES ME ROBERT WISE, 1956 MONTY PYTHON AND THE HOLY GRAIL TERRY GILLIAM, TERRY JONES, 1975 THE EASY LIFE DINO RISI, 1962 A FALSE STUDENT YASUZÔ MASUMURA, 1960 LOST IN TRANSLATION SOFIA COPPOLA, 2003 SATURDAY NIGHT FEVER JOHN BADHAM, 1977 GANGS OF NEW YORK MARTIN SCORSESE, 2002 THE FIFTH ELEMENT LUC BESSON, 1997 ONE-EYED JACKS MARLON BRANDO, 1961 THE DEAD JOHN HUSTON, 1987 THE UGLY AMERICAN GEORGE ENGLUND, 1963 STELLA DALLAS KING VIDOR, 1937 WALL STREET OLIVER STONE, 1987 PERSONAL BEST ROBERT TOWNE, 1982 LA CÉRÉMONIE CLAUDE CHABROL, 1995 TREASURE ISLAND VICTOR FLEMING, 1934 MONTE WALSH WILLIAM A. FRAKER, 1970 LOST IN AMERICA ALBERT BROOKS, 1985 SLOW WEST JOHN MACLEAN, 2015 CROUPIER MIKE HODGES, 1998 RESCUE DAWN WERNER HERZOG, 2006 ZULU CY ENDFIELD, 1964 THE SEVENTH CONTINENT MICHAEL HANEKE, 1989 ROBOCOP JOSÉ PADILHA, 2014 THE GERMAN DOCTOR LUCÍA PUENZO, 2013 BULLETS OVER BROADWAY WOODY ALLEN, 1994 THE LONG GOOD FRIDAY JOHN MACKENZIE, 1980 TIN MEN BARRY LEVINSON, 1987 MOTHER AND SON ALEKSANDR SOKUROV, 1997 BRIDE OF FRANKENSTEIN JAMES WHALE, 1935 FRANKENSTEIN JAMES WHALE, 1931 THE HAPPENING M. NIGHT SHYAMALAN, 2008 ELITE SQUAD JOSÉ PADILHA, 2007 ELITE SQUAD: THE ENEMY WITHIN JOSÉ PADILHA, 2010 BEAT THE DEVIL JOHN HUSTON, 1953 ALL FALL DOWN JOHN FRANKENHEIMER, 1962 LUDWIG LUCHINO VISCONTI, 1973 THE REMAINS OF THE DAY JAMES IVORY, 1993 AMBUSH OLLI SAARELA, 1999 BUBBLE STEVEN SODERBERGH, 2005 SHY PEOPLE ANDREY KONCHALOVSKIY, 1987 GRAND HOTEL EDMUND GOULDING, 1932 WARLOCK EDWARD DMYTRYK, 1959 CINEMA PARADISO GIUSEPPE TORNATORE, 1988 RADIO DAYS WOODY ALLEN, 1987 THE GO-BETWEEN JOSEPH LOSEY, 1971 VAGABOND AGNÈS VARDA, 1985 BABY, IT’S YOU JOHN SAYLES, 1983 THE TRAIN JOHN FRANKENHEIMER, 1964 RIDE WITH THE DEVIL ANG LEE, 1999 MOONRISE KINGDOM WES ANDERSON, 2012 SHAUN OF THE DEAD EDGAR WRIGHT, 2004 THE ACT OF KILLING JOSHUA OPPENHEIMER, CHRISTINE CYNN, 2012 THE KINGS OF SUMMER JORDAN VOGT-ROBERTS, 2013 THE SPIDER’S STRATAGEM BERNARDO BERTOLUCCI, 1970 A CHRISTMAS STORY BOB CLARK, 1983 CRUMB TERRY ZWIGOFF, 1994 THE HAUNTING ROBERT WISE, 1963 ALL THE MORNINGS OF THE WORLD ALAIN CORNEAU, 1991 THE TWILIGHT SAMURAI YÔJI YAMADA, 2002 THE MUSIC ROOM SATYAJIT RAY, 1958 WAR AND PEACE SERGEI BONDARCHUK, 1967 THE PEOPLE VS. LARRY FLYNT MILOŠ FORMAN, 1996 OF MICE AND MEN LEWIS MILESTONE, 1939 NO WAY OUT ROGER DONALDSON, 1987 SHALL WE DANCE? MASAYUKI SUO, 1996 THE YOUNG LIONS EDWARD DMYTRYK, 1958 THE ICEMAN COMETH JOHN FRANKENHEIMER, 1973 SENNA ASIF KAPADIA, 2010 THE THIN RED LINE TERRENCE MALICK, 1998 THE CASTLE OF SAND YOSHITARO NOMURA, 1974 THE SQUID AND THE WHALE NOAH BAUMBACH, 2005 BROADCAST NEWS JAMES L. 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JIM ABRAHAMS, DAVID ZUCKER, JERRY ZUCKER, 1980 THE DEATH OF MR. LAZARESCU CRISTI PUIU, 2005 THE PRESIDENT’S ANALYST THEODORE J. FLICKER, 1967 NOAH DARREN ARONOFSKY, 2014 COOLEY HIGH MICHAEL SCHULTZ, 1975 TWO FOR THE ROAD STANLEY DONEN, 1967 ABOUT A BOY CHRIS WEITZ, PAUL WEITZ, 2002 URUSEI YATSURA: ONLY YOU MAMORU OSHII, 1983 ESCAPE FROM THE PLANET OF THE APES DON TAYLOR, 1971 FRENCH CONNECTION II JOHN FRANKENHEIMER, 1975 GERONIMO: AN AMERICAN LEGEND WALTER HILL, 1993 QUIZ SHOW ROBERT REDFORD, 1994 THE IN-LAWS ARTHUR HILLER, 1979 THE MULE CLINT EASTWOOD, 2018 THE ARCHITECTURE OF DOOM PETER COHEN, 1991 BLADE RUNNER 2049 DENIS VILLENEUVE, 2017 GOOD BYE LENIN! WOLFGANG BECKER, 2003 PETULIA RICHARD LESTER, 1968 SOUTHERN COMFORT WALTER HILL, 1981 THE NAKED ISLAND KANETO SHINDÔ, 1960 ASHES OF TIME WONG KAR-WAI, 1994 REAL GENIUS MARTHA COOLIDGE, 1985 MARTY DELBERT MANN, 1955 CLOCKWATCHERS JILL SPRECHER, 1997 ART SCHOOL CONFIDENTIAL TERRY ZWIGOFF, 2006 SPLIT M. 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ROMERO, 1977 THE DAY DOUGLAS AARNIOKOSKI, 2011 IDENTITY JAMES MANGOLD, 2003 SHATTERED GLASS BILLY RAY, 2003 EXORCIST II: THE HERETIC JOHN BOORMAN, 1977 THE PEOPLE NEXT DOOR DAVID GREENE, 1970 MY DOG SKIP JAY RUSSELL, 2000 JEEPERS CREEPERS VICTOR SALVA, 2001 JEEPERS CREEPERS 2 VICTOR SALVA, 2003 CHERRY 2000 STEVE DE JARNATT, 1987 ANGEL HEART ALAN PARKER, 1987 NOMADS JOHN MCTIERNAN, 1986 FIST OF FURY LO WEI, 1972 SESSION 9 BRAD ANDERSON, 2001 PUMPING IRON GEORGE BUTLER, ROBERT FIORE, 1977 FIGHT CLUB DAVID FINCHER, 1999 PULP FICTION QUENTIN TARANTINO, 1994 MAGNOLIA PAUL THOMAS ANDERSON, 1999

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